This whole book so far is about some 9th grade drop out loser who suddenly decides to make a film cause he loved watching R rated movies as a kid, then scrapes up some cash to do porn, reads books and takes classes on filmmaking, then decides to make a "real" film based on the techniques he learns. Growing pains ensue.
The only positive note about this read so far is him detailing his filmmaking techniques, some of which are useful and even some i've been doing for awhile. Otherwise, I can see why his film ultimatly failed already. He's too busy worrying whether or not he should be "best buddies" with his cast when the working relationship is ALL that matters (if you become friends, great, but that's not required), finding out that there are problems with the script during the storyboarding process (like too many clichés and character development issues), hiring people that he's not sure are qualified for the job, and more.
What got me angry was that one of the reviews called Robert Rodriguez's far superior read "Rebel Without a Crew" a fairy-tale story and praised this as the real deal on indie filmmaking. Yeah, if you're a COMPLETE UNTALENTED HACK then this is your bible. This is what happens when you get a bunch of people who think they know what they're doing and bet it all on the world's biggest crapshoot, hoping to win the big bucks. The author keeps his ambitions down and says he's prepared to struggle in the long haul, but then I also found out he boasts about himself on the dvd in his finish film as if he's some guru or well-respected artist when in reality he's just a nobody with an unwatchable film. And the reviewers wonder why he's still struggling? Despite the fact he SEEMS to be doing all the right things? If you can't figure it out, then this book is for you to live by!
With Rodriguez, he made it not just because he made a film for $7000....he made it cause he made a GOOD WATCHABLE film for $7000. That made him more valuable. This guy made it for $10,000 and if you watch the trailer you end up scratching your head and go "WHAAAAT?" He does some of the right things but unfortunately that's not enough. I've seen this happen first-hand on set too, people who think they have the greatest idea in the world and are going to be among the best filmmakers around find out that it's alot more complicated to pull off such a movie without being consistent and hard-working on EVERY SINGLE SCENE YOU SHOOT. Then they find out they're over-schedule, it's not exactly the "perfect little thing" they wanted, cuss at the world, and just "try to finish it" if they haven't given up already.
I hate to be this negative, especially to a fellow filmmaker. But unfortuantely, when you start to boast your abilities and don't own up to 'em then i'm going to have to call you out. If I did the same thing (and occasionally I do cause i'm a proud ass motherfucker) and don't live up to my own hype, then i'll expect to be called out too.