The desert chapter made me go WTF at first but by the end I got where it was going with it, it's supposed to set-up the whole idea that this is all about ghosts and demons trying to enter our world. The super cheap Horror setups with that native american tribesman appearing out of nowhere could've been done without.
They should've had Dafoe's family dead before Jodie came in, it would've made WAY more sense. Think about it, your family is dead, you're struggling with denial over it, hear about the so-called scientific possibilities with communication with the dead, hear about a kid with an imaginary entity friend, and then have her demonstrate that the entity is real and it able to communicate with the dead. That's all they needed to do since everything else perfectly falls into place (especially that Black Sun chapter, damn that was GREAT stuff about him holding his family hostage selfishly without his realizing it) but having Jodie come in when they're still alive and them dying by drink driver...I dunno, it seemed shoe-horned in to me.
And I LOVED that ending, it made perfect sense to me. People have found a way to open a way into the Infraworld, they will inevitably try to open it again. And when they do, it'll create a post-apocalyptic scenario and Joe and Aiden might have to come in and either stop it or survive through it.
I found out if you played the scenes in order, the story is actually alot stronger than it was if when it was non-linear. I guess they were trying to be clever to keep some mystery alive by making it non-linear, but it just ended up really sloppy and people accused of it being too nonsensical over that. But it really isn't if you look at it in order, big mistake on their part. If they wanted to play these things out of order, they could've gone the traditional route and play out her whole adult life in order while flashing back to when she was a little girl.
They should've had Dafoe's family dead before Jodie came in, it would've made WAY more sense. Think about it, your family is dead, you're struggling with denial over it, hear about the so-called scientific possibilities with communication with the dead, hear about a kid with an imaginary entity friend, and then have her demonstrate that the entity is real and it able to communicate with the dead. That's all they needed to do since everything else perfectly falls into place (especially that Black Sun chapter, damn that was GREAT stuff about him holding his family hostage selfishly without his realizing it) but having Jodie come in when they're still alive and them dying by drink driver...I dunno, it seemed shoe-horned in to me.
And I LOVED that ending, it made perfect sense to me. People have found a way to open a way into the Infraworld, they will inevitably try to open it again. And when they do, it'll create a post-apocalyptic scenario and Joe and Aiden might have to come in and either stop it or survive through it.
I found out if you played the scenes in order, the story is actually alot stronger than it was if when it was non-linear. I guess they were trying to be clever to keep some mystery alive by making it non-linear, but it just ended up really sloppy and people accused of it being too nonsensical over that. But it really isn't if you look at it in order, big mistake on their part. If they wanted to play these things out of order, they could've gone the traditional route and play out her whole adult life in order while flashing back to when she was a little girl.